Since the videogame thing went to crap today (see previous post,) I decided to actually watch one of the seemingly endless DVDs I've been acquiring. Imagine that, DVDs, they're not just for collecting anymore.
Anyway, here's a Herschell Gordon Lewis double feature from Something Weird/Image and it's a Drive-In disc to boot! Whoo hoo! Yeah, I got all the dirve-in intermission stuff when I bought all those "It's Intermission Time!" discs (and yes, I watched them all) but it's really cool seeing them stuck in between the movies in a nifty dirve-in package.
First up is Just For The Hell Of It. There's a story in there somewhere, but I'll be damned if I could find it. Something to do with a gang of hoodlums who like to drive around throwing buckets of water in people's faces and a bronzed all-American good boy who only seems to really get involved when they mess with his girl (and a bunch of kids playing baseball.)
Inbetween, there's tons of footage of the gang ineptly breaking up Salvation Army furniture and a small sailboat that was years past seaworthiness. And they stick a baby in a trashcan, very carefully. Such polite hoodlums. Ray Sager, Nancy Noble and the dikey blond from She-Devils On Wheels all appear.
Just For The Hell Of It raises some questions. Was HGL paying tribute to Wells with his one camera, one shot, one take scenes of destruction, or was he just being cheap? And why didn't someone tell him to wipe the lens off? It looks like Jackson Pollack painted it by the end of the film.
Moving on, The Blast Off Girls is pretty much a sleazier remake of Wild Guitar. Despite the title, it's about five guys (real life band The Faded Blue) taken in by a slick manager who exploits the boys and keeps them beholden. While Arch Hall solved his problems by beating up Ray Dennis Steckler, our boys fake drunk to blow a TV gig and resort to brute force to get the contract back. Again, Ray Sager appears.
Blast Off Girls is most famous for a jaw dropping cameo from Col. Harlan Sanders. Y'see, HGL loved fried chicken and always managed to work a hustle to get some free chicken on the set. In this case, he put Sanders in the movie, with prominent product placement, and catering for the day was taken care of. In this day and age, what image conscious corporation would allow the figurehead of the company to appear in a skangey B-movie like this? Simply awesome, stuff here.
Of the two, Blast Off Girls is actually fairly enjoyable. Though the Faded Blue are a bit too convincing in their ineptness and all in all the movie is much more threadbare than Wild Guitar, it's still quite fun. If you dig the AIP teen movies, but can tolerate something flimsier, you'll dig this one.
Just For The Hell Of It was enjoyable in a different way. All of HGL's other movies I've seen, you can look past the cheapness and enjoy them for what they are. For me, I never could look past the shoddiness of Hell and found it a bit like watching an Ed Wood film. I can tell what Lewis was going for (aside from turning a quick buck) but what he ended up with was pretty padded and pointless. Unless you're in the mood to laugh at, not with, or an HGL completest, you can pass on this one.
On the video front, Hell, doesn't look that bad and Blast Off is one step from being too rough for Image to have considered releasing it. It's entirely watchable, but it gets a bad around the reel changes.
As mentioned, the extras include the drive-in stuff. There's also a bunch of HGL trailers, and a great art gallery with some spiel from the projection booth from back in day. This audio is absolutely killer stuff, don't miss it.
All in all, this isn't a bad double feature. If you are a HGL fan, you're going to dig this a lot more but I wouldn't recommend this as your introduction to his work.
Showing posts with label Something Weird Video. Show all posts
Showing posts with label Something Weird Video. Show all posts
Tuesday, December 11, 2007
Saturday, June 30, 2007
A lot of words about a handfull of DVDs.
I've been up to my eyeballs in wedding and moving lately, but I have managed to sneak a few movies in during the downtime. I managed to pick up a bunch of stuff on Something Weird's summer sale which came out to $8 post paid a DVD-R. For those of you who only know the SWV catalog from their special editions, they have a ton of stuff in their on-line catalog that will probably never see an Image disc. In many cases, the stuff is a little more "adult" than what a mainstream company would be comfortable carrying. There's also some of it with a much more limited appeal than what they have been releasing. And some of these prints are flawed in a way that only more dedicated fans will probably put up with them.
So, my order had a little of all three of these elements. Of course, it will probably be just my luck that Image will take the plunge on a few of these, but I kinda doubt it.
The first movie I got into probably hits all three criteria. It's Miss Nymphet's Zap-In, a Herschell Gordon Lewis film lost until a few years ago. HGL cut this one to double feature with Gore Gore Girls, though it's pretty far away in theme from that odyssey of gore.
Zap-In is kind of an "adult" take off on Laugh-In, consisting of lots of rapid fire vaudeville sketches, dirty jokes and plenty of boobies. Every now and then, the action stops and the entire cast yells "ZAP" and attempts to hold a freeze frame. Honestly, these were some of the more humorous moments in the film.
I'd like to say something good about Zap-In, but I really can't. Could HGL do comedy? Yes, at least when we're talking black comedy. That vein runs deep in most of his films. But this one just comes off corny and while it's interesting for a HGL completest, there isn't much to recommend it above and beyond that.
SWV's DVD-R looked alright to me, all things considered. This film had a really low print run and until recently, this was the only copy known to exist. (An incomplete print turned up on eBay about a year ago, but I don't know if anyone has seen it.) This print is pretty battered, with emulsion lines running through out and some rough spots at the reel changes. Still, I've seen a lot worse, and I don't think the public is going to demand this one get the Criterion treatment any time soon.
I filled a couple more holes in my HGL collection with The Magic Land of Mother Goose and Jimmy the Boy Wonder, two kiddie features Herschell shot as a hired gun. Now this is a warped double feature. Mother Goose is basically a stage play with Herschell doing little more than setting up a camera at the back of a high school auditorium. Basically, this was a vehicle for some magician and it features practically no production value at all. It does have a Raggedy Ann costume that is pure nightmare fuel and a pretty twisted which burning trick. I found this one worthwhile, but I also love K. Gordon Murray kid flicks.
(Speaking of K. Gordon Murray, one of his Santaland shorts appears as an uncredited extra on one of these discs. Both discs have a bunch of Storybook Classics trailers as filler. Pretty cool stuff there.)
Jimmy is an attempt at a real film. The premise being, this kid wished time stopped and then has to start it up again. Along the way there's terrible singing, a villain that could be Faud Ramsey's cousin and a poorly dubbed cartoon stuck in the middle as padding. (Check out Hersh's terrible Sylverter the Cat impression. Mel Blanc, he ain't!) Though there were many snooze inducing parts, again, I found it worth checking out, if you are into the warped kid flicks as I am.
Then we had an infamous one from the dynamic duo of Lee Frost and Bob Creese, Love Camp 7. I remember reading about this one in Incredibly Strange Films and knew I'd have to see it someday. This one may have been the first Nazisplotation film, a dubious honor, I'm sure. You know it was created just on the cusp of hardcore porn as you never see any of the guys take their pants off, and you see a whole bunch of torture and whatnot in lieu of sex.
The best part of the film, hands down, is Creese, in the role he was born to play, as the camp commandant. Bob doesn't just chew the scenery, he Hoovers up large pieces of it like a black hole let loose on the Hogan's Heroes set (which, according to legend, was where this was filmed.) Other than that, the movie is kind of dull. At least there's ample 60s cuties to gawk at, though the sex scenes made me reach for the fast forward button.
Other than that, I've had some time to view a few discs I got on the last Deep Discount sale. I was anxiously awaiting the new Godzilla discs from Classic Media and again, they impress with their releases. Ghidora the Three Headed Monster makes it's US DVD debut and Invasion of the Astro-Monster (aka Monster Zero) returns after being out of print for ages. Like the other releases, you get the US and Japanese cuts, commentary tracks and documentary features on one or another aspect of the Godzilla series.
Both of these movies are great, in my opinion, and Classic's discs serve them well. Quality is again top notch, though I found it a little curious that they reedited the Japanese prints to match the US dub tracks rather than using a proper US print this time around. I'm guessing it was to curb criticism like they had from their US print of Godzilla vs. Mothra that was the incorrect aspect ratio. Still, I can't recommend these discs highly enough and I only wish Classic had the rights to all the Godzilla films in the US as they appear to be the only company to truly do them right. (And the discs are cheap!)
Finally, I watched Sin City and I know at this point I must be the last person on the planet to see it. I only own it for the PSP as my friend I bought my PS from threw it in. Since I found these spiffy speakers at Target for cheap, I figured I'd kill an afternoon with it.
About the movie, my only real complaint is it could have used some tightening up. Ironic to say this, considering there's an even longer director's cut, but I just felt it could have been a little shorter and not any less of a movie for it. However, I loved the story, thought the look was great and I especially liked Mickey Rourk. Really fun stuff.
Watching a movie on a PSP is like staring at a dollar bill for two hours. It's easy to see why the UMD bombed as a movie format bombed, aside from the fact that people aren't too keep on paying twice as much for a lower quality disc they can only watch on the PSP. The screen on the PSP is great and with this Psyclone speaker set up ($25, Target clearance rack) you end up with a miniature home theater, but that's just the problem. It's too small to get really engrossed in like I like to with a movie. Even my Phillips portable with a 10" screen is a more enjoyable experience.
So, there's the latest in my movie watching diary. Also, Planet Earth on Blu-Ray is mind blowing. There's the PS3's killer app. After seeing that, it's really hard to go back to standard definition anything. Such pretty colors...
So, my order had a little of all three of these elements. Of course, it will probably be just my luck that Image will take the plunge on a few of these, but I kinda doubt it.
The first movie I got into probably hits all three criteria. It's Miss Nymphet's Zap-In, a Herschell Gordon Lewis film lost until a few years ago. HGL cut this one to double feature with Gore Gore Girls, though it's pretty far away in theme from that odyssey of gore.
Zap-In is kind of an "adult" take off on Laugh-In, consisting of lots of rapid fire vaudeville sketches, dirty jokes and plenty of boobies. Every now and then, the action stops and the entire cast yells "ZAP" and attempts to hold a freeze frame. Honestly, these were some of the more humorous moments in the film.
I'd like to say something good about Zap-In, but I really can't. Could HGL do comedy? Yes, at least when we're talking black comedy. That vein runs deep in most of his films. But this one just comes off corny and while it's interesting for a HGL completest, there isn't much to recommend it above and beyond that.
SWV's DVD-R looked alright to me, all things considered. This film had a really low print run and until recently, this was the only copy known to exist. (An incomplete print turned up on eBay about a year ago, but I don't know if anyone has seen it.) This print is pretty battered, with emulsion lines running through out and some rough spots at the reel changes. Still, I've seen a lot worse, and I don't think the public is going to demand this one get the Criterion treatment any time soon.
I filled a couple more holes in my HGL collection with The Magic Land of Mother Goose and Jimmy the Boy Wonder, two kiddie features Herschell shot as a hired gun. Now this is a warped double feature. Mother Goose is basically a stage play with Herschell doing little more than setting up a camera at the back of a high school auditorium. Basically, this was a vehicle for some magician and it features practically no production value at all. It does have a Raggedy Ann costume that is pure nightmare fuel and a pretty twisted which burning trick. I found this one worthwhile, but I also love K. Gordon Murray kid flicks.
(Speaking of K. Gordon Murray, one of his Santaland shorts appears as an uncredited extra on one of these discs. Both discs have a bunch of Storybook Classics trailers as filler. Pretty cool stuff there.)
Jimmy is an attempt at a real film. The premise being, this kid wished time stopped and then has to start it up again. Along the way there's terrible singing, a villain that could be Faud Ramsey's cousin and a poorly dubbed cartoon stuck in the middle as padding. (Check out Hersh's terrible Sylverter the Cat impression. Mel Blanc, he ain't!) Though there were many snooze inducing parts, again, I found it worth checking out, if you are into the warped kid flicks as I am.
Then we had an infamous one from the dynamic duo of Lee Frost and Bob Creese, Love Camp 7. I remember reading about this one in Incredibly Strange Films and knew I'd have to see it someday. This one may have been the first Nazisplotation film, a dubious honor, I'm sure. You know it was created just on the cusp of hardcore porn as you never see any of the guys take their pants off, and you see a whole bunch of torture and whatnot in lieu of sex.
The best part of the film, hands down, is Creese, in the role he was born to play, as the camp commandant. Bob doesn't just chew the scenery, he Hoovers up large pieces of it like a black hole let loose on the Hogan's Heroes set (which, according to legend, was where this was filmed.) Other than that, the movie is kind of dull. At least there's ample 60s cuties to gawk at, though the sex scenes made me reach for the fast forward button.
Other than that, I've had some time to view a few discs I got on the last Deep Discount sale. I was anxiously awaiting the new Godzilla discs from Classic Media and again, they impress with their releases. Ghidora the Three Headed Monster makes it's US DVD debut and Invasion of the Astro-Monster (aka Monster Zero) returns after being out of print for ages. Like the other releases, you get the US and Japanese cuts, commentary tracks and documentary features on one or another aspect of the Godzilla series.
Both of these movies are great, in my opinion, and Classic's discs serve them well. Quality is again top notch, though I found it a little curious that they reedited the Japanese prints to match the US dub tracks rather than using a proper US print this time around. I'm guessing it was to curb criticism like they had from their US print of Godzilla vs. Mothra that was the incorrect aspect ratio. Still, I can't recommend these discs highly enough and I only wish Classic had the rights to all the Godzilla films in the US as they appear to be the only company to truly do them right. (And the discs are cheap!)
Finally, I watched Sin City and I know at this point I must be the last person on the planet to see it. I only own it for the PSP as my friend I bought my PS from threw it in. Since I found these spiffy speakers at Target for cheap, I figured I'd kill an afternoon with it.
About the movie, my only real complaint is it could have used some tightening up. Ironic to say this, considering there's an even longer director's cut, but I just felt it could have been a little shorter and not any less of a movie for it. However, I loved the story, thought the look was great and I especially liked Mickey Rourk. Really fun stuff.
Watching a movie on a PSP is like staring at a dollar bill for two hours. It's easy to see why the UMD bombed as a movie format bombed, aside from the fact that people aren't too keep on paying twice as much for a lower quality disc they can only watch on the PSP. The screen on the PSP is great and with this Psyclone speaker set up ($25, Target clearance rack) you end up with a miniature home theater, but that's just the problem. It's too small to get really engrossed in like I like to with a movie. Even my Phillips portable with a 10" screen is a more enjoyable experience.
So, there's the latest in my movie watching diary. Also, Planet Earth on Blu-Ray is mind blowing. There's the PS3's killer app. After seeing that, it's really hard to go back to standard definition anything. Such pretty colors...
Wednesday, May 09, 2007
Own a piece of Arch Hall Jr. history...
Do you have Twist Fever?
You too can sing the beautiful strains of "Vickie" lounging by the pool with Bud Eagle's 1960 Jazzmaster. (Richard Kiel not included.)
Interestingly enough, this leads me into a double barrel review. I recently got the Wild Guitar/The Choppers double feature from Something Weird and the Wild Guitar CD from Norton. Arch could actually play guitar and, even though he had some sappy stuff in his movies, the tape of him and the Archers playing at a drive-in is pretty rocking. Apparently he was a big fan of Albert King and Johnny Otis.
In the liner notes, he mentioned getting an endorsement deal with Fender for the Wild Guitar and they pretty much forced him into a Jazzmaster. Maybe this is the same one. Sure looks like it. (Yeah, I know he's got a Tele on the album cover. Sue me.)
Also got the Wild Guitar/Choppers double. I had Wild Guitar on an inspired dollar store DVD paired with The Beatniks. Needless to say, the quality on this is a million times better, plus you get all the extras Something Weird is known for.
As for the films, I really dig 'em. Wild Guitar is a "country bumpkin moves to big city to be a star" story but it's done really well. Yeah, Arch is sickeningly "Gee wiz!" through out, but his dad(!) and Ray Dennis Steckler are great as sleazy music industry rollers who lock Arch's Bud Eagle into a financial straight jacket where he has to be essentially a trained monkey. (And you thought that stuff didn't happen until Steve Albini wrote about it.)
The Choppers is a short JD picture. Shot several years before it was released, Arch looks about 12 in it. In this one, Arch plays a look out for a gang of car strippers. It's a fairly simple story, they get caught, people die, the survivors go to jail. The End. Oh, the greasy fat guy from Attack of the Giant Leeches is in there. That's a plus.
So, there it is. For some strange reasons, I'd claim being an Arch Hall fan. Yeah, he got knocked around on Mystery Science Theater, but he's got some kind of goofy charm I just can't put my finger on. You can get most of his movies cheap on public domain issues, well worth whatever you invest in them.
You too can sing the beautiful strains of "Vickie" lounging by the pool with Bud Eagle's 1960 Jazzmaster. (Richard Kiel not included.)
Interestingly enough, this leads me into a double barrel review. I recently got the Wild Guitar/The Choppers double feature from Something Weird and the Wild Guitar CD from Norton. Arch could actually play guitar and, even though he had some sappy stuff in his movies, the tape of him and the Archers playing at a drive-in is pretty rocking. Apparently he was a big fan of Albert King and Johnny Otis.
In the liner notes, he mentioned getting an endorsement deal with Fender for the Wild Guitar and they pretty much forced him into a Jazzmaster. Maybe this is the same one. Sure looks like it. (Yeah, I know he's got a Tele on the album cover. Sue me.)
Also got the Wild Guitar/Choppers double. I had Wild Guitar on an inspired dollar store DVD paired with The Beatniks. Needless to say, the quality on this is a million times better, plus you get all the extras Something Weird is known for.
As for the films, I really dig 'em. Wild Guitar is a "country bumpkin moves to big city to be a star" story but it's done really well. Yeah, Arch is sickeningly "Gee wiz!" through out, but his dad(!) and Ray Dennis Steckler are great as sleazy music industry rollers who lock Arch's Bud Eagle into a financial straight jacket where he has to be essentially a trained monkey. (And you thought that stuff didn't happen until Steve Albini wrote about it.)
The Choppers is a short JD picture. Shot several years before it was released, Arch looks about 12 in it. In this one, Arch plays a look out for a gang of car strippers. It's a fairly simple story, they get caught, people die, the survivors go to jail. The End. Oh, the greasy fat guy from Attack of the Giant Leeches is in there. That's a plus.
So, there it is. For some strange reasons, I'd claim being an Arch Hall fan. Yeah, he got knocked around on Mystery Science Theater, but he's got some kind of goofy charm I just can't put my finger on. You can get most of his movies cheap on public domain issues, well worth whatever you invest in them.
Monday, April 23, 2007
Review: Alice in Acidland/Smoke & Flesh
This one has been in the hopper for a while and I finally decided to tackle this double feature of drugsploitation this weekend. Why I picked this disc up, I don't know as the drug films really aren't my thing. I guess I'm a Something Weird completest.
We start with Alice in Acidland. This film is classic exploitation all the way through. From the faux moral high ground narration, to the depiction of all the depravity it is supposedly condemning, Alice is the grandchild of Reefer Madness through and through. Even the title carries the tradition of being leagues better than the picture under it.
Unfortunately, Alice is missing the goofy charm of it's predecessors. Make no mistake, this is a picture designed to show as much T&A and unattractive people dry humping as they could at the time, but it does so in the dullest way possible. I never made it to the full color acid trip scenes at the end, but I have a hunch I didn't miss a thing.
Marginally better is Smoke and Flesh. This one isn't a roadshow style exploiter, in fact it's almost arty in it's execution. Some groovy people score some pot whereupon they disrobe and have softcore sex. A gang of bikers crash the party and the hero doses the leader with LSD to get them to leave. Then everyone goes back to their cardboard tube bong and playing strip slot cars. The end.
There's not much to it, but it does have a few nice shots. It also has a garage rock track that sounds like of the Fabulous Wailers that plays over and over for nearly the entire 70 minutes of the film. And lots of shots of "the man" riding his motorcycle. Honestly, it was hard for me to pay attention to most of the film. Maybe I needed some of what they were smoking.
At least we have the special features and in this case they outshine the main attractions. First there's the usual assortment of trailers, radio ads and magazine covers. I'd buy discs of this stuff and, come to think of it, I have.
However, we also have a third featurette, Aphrodisiac: The Sexual Secret of Marijuana. Now this is something worth watching. An edited hardcore feature (I've heard it's more of a "soft" X. It's available from Something Weird on DVD-R, if you're really curious.) Aphrodisiac purports to be an educational film about the sexual properties of pot. What it is is plain and simple exploitation.
There's phony facts and figures. Silly man on the street interviews. Stiff dialogue. Early John Holmes. This one is really funny. Not worth the cost of the disc, mind you, but at least there's something worth watching here.
I love Something Weird, but I'll admit not everything they put out is for my taste. Maybe this is a case of that, but I really think with the exception of Aphrodisiac this is just a dull disc.
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