Record StoreDay 2014 Wrap-up Part 2

Part one is done, so here's part two. Again sorry for the crap pictures. 

I'd initially passed LCD Soundsystem's The Long Goodbye over thinking I'd get the much cheaper Blu-Ray instead. Then I remembered how concert films usually bore me and decided to pick this up anyway. It's expensive and pressed in a manner that is DJ friendly but a little weird for those of us rocking a solo turntable (odd sides appear on one record, evens in another, so you have to keep changing records.) Still, the performance is pretty epic and if you're a fan, you're going to want this one. 

I have a subscription to Light In The Attic, so I got both their RSD releases as part of that. Sorry to say, as I love this label a lot, I think they kind of dropped the ball this year. Pictured above is Playing Guitar The Easy Way by Michael Chapman. I don't know the back story, so I'mjust going to tell you what I hear. Each track starts out with a couple of scales, then he launches into a kind of typical late 70's folky instrumental thing. Really does nothing much for me, though the package with a big booklet is nice. 

A World of Peace Must Come is a vinyl reissue of LITA's 2008 release by Stephen John Kalinich. Long story short, this was recorded in Brian Wilson's living room and sounds every bit of it. It's half almost madrigal and half hippy dippy spoken word. Maybe I was in a bad mood when I listened to this, but it just was a little too pot and patchouli for my tastes. 

Another label I love did deliver this year. Death Waltz delivered a quartet of their usual cult movie soundtrack goodness, three of which shared the above sleeve. The fourth was In The Wall and looked like this:

Not sure why they did it that way, but there it is. Death Waltz is a label that just gets it. All this year's releases came on cool multi-colored vinyl, had a big poster and 12"x12" slick. They all were pretty good with the 1990: Bronx Warriors soundtrack standing out for me. Good work and well worth the investment. 

Speaking of soundtracks, here's One Way Static's picture disc release of The Last House On The Left. This is an interesting soundtrack, dated to be sure, but if you're into that early 70's vibe, you'll dig it. There's some groovy tunes, some Moog noodling, some hoedown stuff, etc. Noisy, like most picture discs are, but the source material is kind of lo-fi anyway. 

Finally, here's the annual "what was I thinking" pick up. Now, I love Spacemen 3, especially the early stuff. The problem being, the entire contents of this set is readily available on an inexpensive CD, also titled Translucent Flashbacks, where as this three 12" single set ran $80. Ouch. But it did come with a download card, for untagged 128kbp mp3s. In 2014, that's just unacceptable. 

Record Store Day 2014 Wrap-up Part 1

I'm Rob G. And I'm back from the dead...

Has it really been three years??? Well, whadda know? Anyway. Another Record Store Day has come and gone and rather than rehash all the old sentiments I blogged about ages ago, I figured I'd just do a brief run down of my haul. Once again, I spent more than I'd planned, even though the list this year really left me underwhelmed. Go figure. (Sorry for the crap pictures. I'm doing this from my iPad.)

Leading off is Nothing New by Gil Scott-Heron, one of the few releases I was really looking forward to. Long story short, this is stuff GSH originally recorded for XL Records but was passed over in favor of what became I'm New Here/We're New Here. Stark recordings of just Gil and his piano, revisiting deep cuts from his catalog and a little chatting in between tracks. Needless to say, this is an essential pick-up for fans of GSH. Very deep stuff, goosebump territory here.

Tame Impala dropped Live Versions this year and I may be a little biased about this release as it happens to be from a Chicago show I attended. The band stretches out a bit in concert, so this isn't just a same old stuff with crowd noises type of affair. My only beef is that they trimmed down the set list to fit it on one record. I'd have gladly ponied up for a second disc to have the whole show. Nice emerald green vinyl too.

From 1968, we have Sun Ra's Outer Spaceways Incorporated, a nice slab of prime, live Arkestra. For an artist as prolific as Sun Ra, it can be a real crap shoot as to what you're getting, but this album delivers. Not a particularly rare recording, but nice to have it on lavender colored vinyl with snappy new artwork. Shame ORG Music didn't bother with a personnel listing though. 

Get On Down has become one of my favorite reissue labels, but this year their RSD pickins were kind of slim. Food For Thought by The J.B.s is uneven as most James Brown related LPs are, but there are some stone cold classics contained within. I'm sure I have all these tracks on various compilations, but it's still a good spin. The purple vinyl single of The Grunt is a nice touch, though the poster of the album cover I could give or take. 

And my second pull from Get On Down is my token overpriced 7" for this year ($12! Damn!) The Coldcut remix of Paid In Full is a classic moment in hip-hop and this is a nice reproduction of the British version of what may be Eric B. & Rakim's finest moment. The flip side ("Eric B. Is on the Cut") still sounds like filler and I'd have preferred the 12" of this with the full seven minute remix, so I guess I'm kind if split on this one. 

My blind buy for this year was Jazzman's Jef Gilson et Malagasy five LP/one 7" set. I'm still digesting this one, as it's all new to me, but I'm liking what I hear so far. Spiritual jazz with a bit of a foreign twinge. What's not to like, other than the packaging, which left me a bit underwhelmed. 

Another RSD repeat performer is The Black Angels who came out with another 10" this year called Clear Lake Forest. I'm not really sure what to say about is one other than if you don't like the Angels brand of Texas psychedelia, this isn't going to win you over. Clear vinyl, mp3 card. You know the drill. 

I think I'm going to stop for tonight as I'm running out of things to say. Keep an eye open for part two, before RSD '15, I hope. 

Record Store Day Thoughts

Record Store Day is a bit of a scam. There. I said it.

At the same time, there I was, lined up before opening with all the other hipsters and record collector scum, waiting to spend, spend, spend!

Why?

Well, I had a ton of in-store credit burning a hole in my pocket. And, at the same time, I'm enough of a sucker that there was some stuff I actually wanted to buy this year. Sigh. Hook, line and sinker.

But first, let me reel off a quote from the excellent Numero Group which kind of sums up a lot of how I feel about this retail holiday:

For openers, most Record Store Day records are trashy cash-ins. Bogus 7″ repros, expensive and needless live LPs, and perhaps the worst culprit of all, records that aren’t actually limited but are marketed as such (We’re looking at you Flaming Lips Dark Side Of the Moon)

Of course, they then go on to pimp their own Record Store Day special, available in the oh-so-trendy and completely worthless cassette format. Waddayagonnado?

Speaking of worthless, how about that Beach Boys double 78rpm set? How many of those do you think will ever get played? How many people even have something to play 78s? I don't and yet, here I sit looking at #3794 of however many thousands they cranked out, unwrapped and on my table.

The one item I was actually out for, the Big Star Third "test pressing" set, is pretty cool, even the cynic in me must say. But, it's still a fetish item. I had the music already. There's nothing new there. But I still had to have it, for some reason.

Ditto a few "bogus 7" repros", though I stayed away from the live stuff. And I did actually get around to buying some Black Angels stuff I didn't have. So there was that.

But really, at the end of the day, it's all kind of silly. The false scarcity and silly collector's editions and whatnot are, in my not so humble opinion, some of the worst aspects of the music biz. They do nothing other than trivialize the music, which is what it is supposed to be about, I think.

Let me tell you though what I do like about Record Store Day: seeing the stores packed. Sure, it's a herd of folks grabbing at those exclusives, but ultimately, they are putting money in the cash drawers at some of the few record stores we have left. Who knows? Maybe this one day could mean the difference between paying bills and getting evicted for a store?

But it also kind of gives me pause. If they have to go to all this hype and gimmick to get people in, are record stores still relevant in today's world? I know I've moved a lot of my purchasing to on-line and digital sources for reasons of both price and convenience. Yet I still find myself at the record store, every now and again. I don't think I could imagine life without them completely.

And apparently a lot of other people feel the same way. Both of the stores I went to were packed, and I can't believe they were all eBay scalpers. People weren't just buying the exclusives. There must be something to it that people would stand in the kind of lines I stood in for pieces of plastic with music on them.

So I still think Record Store Day is a bit of a scam, as I do any retail holiday, but at the same time, it does make me appreciate living in a town that can support three independent record stores. Though I don't frequent them as much as I used to, I'm glad they're still around. And, even though it's kind of ridiculous, I'm glad to have this Big Star set sitting in front of me.